I love making compilations, or as some might see it 'soundtracks' to different parts of my life. Tonight I am exploring dub. Something I have only started to get into recently. I love any kind of music that is a bit on the dark side with deep bass lines, and a soulful rhythm to it. So I thought I might explain my current musical crave:
1. Sister Nancy - Bam bam: parts of this track or rip offs of her lyrics have been used a gazillion times in other people's music. The one that always sticks in my mind is Lauryn Hill. It's one of the all time classic dancehall tracks using the ever popular 'Stalag' rhythm.
2.Salmonella Dub - Johnny (Dubmariner remix). The original is great, but this remix is even darker, so strikes more of a cord with me! From the exceptional album killervision, with inputs from the madprofessor. These boys are from NZ and aparently are amazing live, if they come to our shores again I'll be there!
3.Dennis Brown - Westbound train. From the album some like it hot. Known as 'the crowned prince of reggae' this guy was really prolific in his releases, he sometimes did as many as 6 albums in a year! This one was released in the 70's, but has that timeless sound you can't help but groove to.
4.Finley Quaye- Ultra stimulation. Whenever I go to put one of his tracks on my compilations I can never choose which one. So I've just basically picked this one at random. I think it was released mid 90s if my memory serves me correctly I was working at Rockeby Records when I got it, so that must be about right. It's beat is very old skool dub, but the electronic twists and dives gives it an interesting modern feel. He also does a cool version of Marley's 'Sunday Shining', but that's for another day!
5. Gregory Isaacs - Night nurse (K&D remix). Not sure where I got this, but it's a nice version and they haven't ruined the sexy slow dub beats. It's just kinda taken on a modern life of it's own. Often when I see (dub mix) on a dance album of some kind I get very disapointed, as there is usually nothing that can be even remotly described as dub, maybe just some slowed down dance beat. But this one shines!
6.Lee Scratch Perry - groovy dub. I have my reservations on the track title, this is from a bunch of stuff a girl in Broome gave me, she was really into dancehall. But I do like it, it has one of those beats that comands your slow your pace to a saunter. I also like how he always does those echoing minimal vocals, I have no idea what he's actually singing about!
7.Seeed- Dancehall collaborators. Here's an interesting one! This was passed on to me by my friend Keziah. It's German Ragga!! Sounds like it would have to be crap I know, but it's really good! Who can't love a song with horse neighs as samples and the lyrics 'oh what a crime, you give me a dime for me rhyme' . It's very bassey, and dark. You can almost picture the guys from Rammstein performing it.
8. Augustus Pablo -East of the River Nile. This came to me via a very cool compilation called 500% dynamite, which is part of a whole 'dynamite' series. A wicked introduction to all styles of Jamaican classics. The story goes with Pablo that he started the use of the melodica (an obscure european mouth organ) in dub and has made it a major part of the dub sound. I think he's since passed away, but what an amazing gift to leave the world, his discography is insane!
9.Easy Dub All Stars-Speak to me. Again this is going to sound like it could only possibly be crap, it's a dub version of Pink Floyds 'Dark side of the moon'. So the album is called 'Dub side of the moon'. It's suprisingly well done! The first track is my fave, but it's one of those albums that the whole is greater than the sum of it's parts.
10. Damien 'Jr Gong' Marley - Welcome to Jamrock. Obviously one of the many son's of Bob, I saw him at the blues and roots festival in Fremantle. He came out with this guy waving a huge Jamaican flag. This was the first song he played, after which we though the flag dude would give up, after all it was a big heavy flag, but he waved the thing in sync with the beat for the whole hour long performance, it was mad! But as far as this song goes, it has the more dark modern beats, and dancehall style 'rapping',
So that's a little insight into what I'm loving right now. For any of my friends reading this if you want a copy of any of this stuff, I'll be happy to sort you out. All you need to say is 'Jah bless me wit you fine Riddims'...and we're in business!